What is it about big euphoric synths and massive beat drops that makes all the hair on our bodies stand up on end? We don't know, but it literally happened just now as we were watching the promo video Kaskade has released for his upcoming summer tour. See, Kaskade (who was voted America's Best DJ in 2011, no big) knows that wherever he goes is where the party's at, which is why he's carving out some time this summer to traverse the United States and Canada giving us some of the most jaw-droppingly rad EDM chills ev-ah on his "Freaks Of Nature" tour. "California I have not forgotten you," the video explains. Good, Kaskade. Because California hasn't forgotten you, either. And neither have any of the other 49 states. Or 10 provinces. (Yes, we had to look up how many provinces there are. Don't judge us.)

In short, Kaskade will be filling up stadiums all around North America, which means that if you live in either of those cities and you want to stand in an auditorium full of glitter-dusted glowstick-clutching party animals getting your eardrums blown out, you should probably grab some tix. And yeah, this probably goes without saying, but we'll see you there.

+ Watch Kaskade's "Freaks Of Nature" tour preview video below, check out all the "Freaks Of Nature" tour dates over at MTV Newsroom and watch his latest video with Skrillex, "Lick It," after the jump.

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Y'know Cheryl Cole? Of course you do! She was one-fifth of Girls Aloud, the most amazing girl group in British pop history (an objective fact), before she launched a major solo career with big names like will.i.am on production duty and served as a judge on the British version of "The X Factor." Now set to release her third studio album, A Million Lights, she's dropped her Calvin Harris-produced first single, "Call My Name," and it's like Rihanna's "We Found Love." ON STEROIDS.

Listen to Cheryl Cole's "Call My Name" after the jump.

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Hola! I'm Sam Lansky, and you're reading "Pop Think," my weekly column devoted to exploring the under-explored phenomena of the pop music scene. This week, I'm takin' y'all on a trip around the world. Brazil! Morocco! London to Ibiza! That's right: We're talkin' 'bout the inimitable miss Jennifer Lopez, who is back on the charts with her monster new single, "Dance Again," and is experiencing a career peak not seen since the early millennium.

See, J. Lo has been a tabloid fixture for years (would I date myself by referencing the late, great "Bennifer"?), and the media mogul's empire goes beyond just music to include film, television, fashion and a litany of other ventures -- and although music has always been a mainstay of her success (hi, she's sold 55 million records worldwide), her influence dwindled in the latter part of the last decade. But with the massive success of "On The Floor" and her judging spot on "American Idol," J. Lo has catapulted herself back to the top. That's a tricky feat in the fickle pop charts and one deserving of some recognition.

Party people everywhere are getting buck wild on the floor to Jennifer's high-quality tunage -- and this week, I'm exploring how Jennifer has ushered in this epic professional renaissance. Y'all ready to dance again? Let's do it.

Ladies and gentlemen: The one and only Jennifer Lopez.

At the tender age of 42, Jennifer Lopez has enjoyed a career that most recording artists would envy. Her debut single, 1999's "If You Had My Love" (which remains one of my favorite pop songs ev-ah), was a global No. 1 hit that catapulted her and her first album, On the 6, into pop's A-list. Her second album, J. Lo, redefined her image with some tougher urban swag, and singles such as "Ain't It Funny" and "I'm Real" (which saw her collaborating with Ja Rule) also topped the charts. Her third album, This Is Me... Then, featured what may have become her most iconic single -- "Jenny From the Block," obvs -- as well as the icy-cool LL Cool J-featuring "All I Have." But as her tabloid visibility skyrocketed, her grip over the world of music weakened. Her next album, Rebirth, featured no singles that cracked the Top 10 for the first time in her career, and the 2008 follow-up, Brave, was an undeniable flop. When her 2009 single "Louboutins" was released, the initial reaction was so excoriating that the release was canceled altogether.

What went wrong? My theory is that, after a decade of riding trends as smartly and savvily as anyone in the game, J. Lo's timing just wasn't quite on point. While artists such as Lady Gaga began delivering slick, European-influenced dance-pop around 2008, J. Lo was still stuck on the urban-pop bandwagon born from the sound that had dominated the last decade. Her releases coincided with shifting sonic trends on the charts, and she still had one foot in the past.

Read more about J. Lo's Love? comeback after the jump.

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It shouldn't have come as a surprise that the video for Scissor Sisters' utterly amazing Calvin Harris-produced single "Only the Horses" mostly features, um, horses! There's some other stuff, too, but it's mainly about the horses. Given that the song's lush, galloping synths have a decidedly equine quality, though, it's hard to imagine a better set of visuals than the ones that the band came up with.

Watch Scissor Sisters' "Only The Horses" video after the jump.

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Cady Groves has already taught us so much about herself, y'all: Not only is she capable of murder, as her debut single, last year's sensational "This Little Girl" detailed, but she's also the s***. (Seriously -- she has a song called "We're The S***" that's totally our gloomy low self-esteem pick-me-up anthem du jour.) One more factoid to add to the pint-sized Okie chanteuse's bio? She doesn't give a f***. Like, seriously. Not a single one.

Listen to Cady Groves "IDGAF" after the jump.

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Raise your hand if you wish you were also in Rita Ora's 'How We Do (Party)' video.

What would you do if Jay-Z was your mentor? We'd probably be swaggin' like crazy, sitting atop a throne made of money, sippin' on Martinelli's sparkling apple cider from a bejeweled chalice ('cause we roll like that). But alas, that's why Rita Ora gets to be Jay's protégé and not us -- because she uses her power responsibly. That's exactly what the Albanian-British chanteuse, signed to Jay's Roc Nation label, has done with her debut U.S. single, the irresponsibly infectious celebratory anthem "How We Do (Party)," and its brand-spanking-new accompanying video, which sees the boisterous popstrel doing what she does best: partying. (Also, bulls***. But mostly partying.)

Watch Rita Ora's "How We Do (Party)" video after the jump.

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Do yourselves a favor and listen to Mr Little Jeans' 'Runaway.'

Will our love affair with the indie pop pixies of Scandinavia ever end? As the riches of artists like Robyn, Oh Land and Amanda Mair just keep on dazzling us, our latest obsession is with a Norwegian songbird by the name of Mr. Little Jeans. Just don't be fooled should that pseudonym suggest the rootin'est, tootin'est cowboy in a spaghetti Western (which is kinda what it does for us) -- in actuality, Mr. Little Jeans makes some of the most lushly gorgeous tunes this side of Norway's famous fjords.

Listen to Mr Little Jeans after the jump.

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Hey Barbz! I'm Sam Lansky, and this is my column, "Pop Think," devoted to exploring the best and brightest facets of the pop music universe. And at the moment, few stars are shining quite so bright as the Harajuku Barbie herself, Nicki Minaj. She's the current queen of not just hip-hop but pop, too.

Nicki Minaj has eked out a spot at the top of the musical A-list for infusing her hip-hop swagger with a strong pop sensibility, which has led to the release of her latest album, Pink Friday: Roman Reloaded, an unrelenting hour-plus of wild, wacky, everything-but-the-kitchen-sink über-pop, loaded with scabrous rhymes, head-spinningly infectious melodies, and some surprisingly solid (if highly Auto-Tuned) vocals. Some critics have complained that Nicki is betraying her hip-hop roots, but to me, this new album feels like the natural evolution of the kookiest, most innovative chick currently making music.

We couldn't stop it if we wanted to: Nicki Minaj is a pop superstar now, and at the rate she's going, it's hard to imagine anyone who could rival her rule over the charts.

I don't think anyone saw a song like "Starships" coming from Nicki Minaj -- the Trinidadian-born, Queens-raised rapstress, who quickly gained recognition in the latter part of the last decade for her ferociously clever rhymes and multifarious personae, saw her approaching hip-hop with a new and thrilling theatricality. Her 2010 debut, Pink Friday, showcased a knack for songcraft that transcended a sick verse here or a tight couplet there. Songs like "Your Love" and "Superbass" weren't just rap tracks with a solid hook -- they were pop songs through and through that felt fresh sonically but fit in seamlessly along the many other megahits on the radio.

It was hard to know quite what to expect with her second album, Pink Friday: Roman Reloaded, but still, I found myself surprised by the astonishing, and exhilarating, lack of cohesion with the promotional tracks that have surfaced: The hard-edged, avant-garde rap tracks like "Roman In Moscow" and "Roman Holiday" couldn't be a further cry from the sparkly radio pop of "Starships" and "Right By My Side," but it's clear that Nicki is deftly playing both sides.

Read more about Nicki Minaj's pop takeover after the jump.

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Hey Beliebers! It's a-me, Sam Lansky, and this is my column, "Pop Think," where for months I've been resisting succumbing to a major case of Bieber Fever. But alas, with the release of his new single, "Boyfriend," Justin Bieber may have truly won me over (not that I was resisting that hard), because it's about as good a pop morsel as any I can recall.

See, a new Justin Bieber single tends to be accompanied by a ton of hype, and this one definitely earned it: Hitting pretty much every mark on how fresh, sophisticated urban pop music should sound in 2012. But while it's totally modern, it's also appealingly nostalgic, harkening back to the days of Justin Timberlake, NSYNC and plenty of other iconic pop influences. In the absence of a new JT album, JB is evoking his predecessor in a way that feels distinctly Bieberific -- and the results have been dazzling.

This week, I'm taking a look at how and why "Boyfriend" is pretty much a perfect pop single -- and why we should all be pretty excited about his upcoming studio album, Believe. Do you belieb? (I know I do!)

Is it premature to say that "Boyfriend" is certifiably the best thing that Justin Bieber has ever done? The urban pop whiz-kid, who in the span of a few short years has become one of the biggest artists in the game, has a strong track record of killer pop singles, from the melodic powerhouse of "Baby" to the slick dance-pop of "Somebody To Love," but "Boyfriend" takes Justin's swag game in a whole new direction -- and I for one am all ears.

Icy-cool galactic pop with minimalist instrumentation, frosty bird call synths and whispered rap that gives way to a sweetly crooned chorus, "Boyfriend" picks up where the truly great pop of the early millennium left off, evoking NSYNC's "Gone" and "Girlfriend" as well as the best stuff in Justin Timberlake's catalog. This should be no surprise, since any male pop vocalist recording music in 2012 should be looking to a legendary innovator like JT for influence, so the extent to which Bieber is channeling the former Justin's influence is pretty remarkable. But that great artist's influence, which is unmissable on the track, would be meaningless without Bieber's own developing artistic vision, which sees "Boyfriend" moving in a thrillingly hip direction.

Read more about Justin Bieber's "Boyfriend" after the jump.

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Oh hey, fans of musical theater! (You don't like musical theater? Your loss!) I'm Sam Lansky, and this is my column, "Pop Think," dedicated to exploring the best and brightest luminaries in the pop culture scene. Up this week? Well, you'll have to excuse me if I seem delirious, because I've been sick lately: With a McPheever. A bad one. And while that's nothing new -- I've been a fan of Katharine McPhee since she first appeared on "American Idol" way back in 2006 -- her new direction, with a starring role on the new show "Smash," gives her a whole new opportunity to flex her acting and vocal chops.

But what I'm really excited about is the music that's coming out of "Smash," specifically, a little song called "Touch Me," which has been a cogent reminder of just how killer Katharine McPhee's vocals really are as well as her not-insignificant contribution to the realm of popular music. (Also, I kinda want to make up for the time when I saw her at a party and wanted to go say hi to tell her how much I love her, but I was too nervous to do so -- so if you're reading this, Katharine, hey gurl!)

My McPheever just keeps on rising, and I don't think there's any remedy in sight. Got a problem with that?

Is there any argument that Katharine McPhee was robbed on the fifth season of "American Idol"? Not to throw any shade at the illustrious Taylor Hicks. But seriously, Katharine always had incredible vocal talent and undeniable charisma. And she's been putting both to good use in the years since "Idol" with two excellent studio albums and now a whole new life starring in the NBC series "Smash," which, if you haven't been watching, is kinda like a grown-up "Glee," with even more attitude and some sensational pop songs.

Not that the "sensational songs" thing is new for Katharine, since her self-titled 2007 debut is an excellent mainstream pop LP; it spawned the top 40 hit "Over It" and packed a number of major pop tracks, including the excellent single "Love Story" and, of course, the unforgettable ode to shoes, "Open Toes," which fits nicely among other shoe-devoting songs like Jennifer Lopez's "Louboutins" and Ashanti's "Switch." (I'm not saying I have a "Songs About Shoes" playlist, but I'm also not saying that I don't.) Her second album, 2010's Unbroken, was a mellower affair, with adult-contemporary tracks like "Terrified" and "Had It All," which showed a sweetness and lovely sophistication with more organic instrumentation and mature lyrics.

See why Katharine McPhee's role on "Smash" is her best role yet after the jump.

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