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+ Sean Kingston tweeted a photo of himself from what looks like his hospital bed following a near tragic Jet Ski accident that landed him in the ICU. Kingston looks healthy and in good spirits in the photo, and we hope he stays on that path! (MTV News)

+ In today's "It's about damn time" news, Cee Lo says a new Gnarls Barkley album is in the works. "Knowing the nature of the space that [Danger Mouse and I] shared, I am pretty sure it will be somewhat similar [to their 2008 release The Odd Couple]." Fine by us! (Idolator)

+ "Gossip Girl" actor Penn Badgley has been cast in a role that many young actors were vying for -- he will play late musician Jeff Buckley in an upcoming biopic. Buckley's only been referred to as one of our generation's greatest songwriters so you know, no pressure, Penn. (PopEater)

+ Is there new music from Selena in the future? Sounds like it, and we don't mean Selena Gomez either. Late Mexican-American pop singer Selena's father told the L.A. Times that fans can be on the lookout for unreleased masters from Selena's early years coming to stores in 2012. (ONTD)

+ If you couldn't get your hands on Femme Fatale tour tickets, here's a look at what you're missing. Rap-Up has a video of Britney Spears closing out her L.A. show last night with a very special guest -- her tourmate Nicki Minaj! (Rap-Up)

+ In case you were wondering if Joe Jonas was nervous about starting his own solo career, he's not. The "See No More" singer says he feels confident on his own because, "My brothers and I, we’re like each other's best friends and I think it's that foundation that makes me feel like I can really do this on my own..." All together now: "Awwww!" (Just Jared Jr.)

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Credit: NBC

If you're going to judge a vocal competition like "The Voice," you'd better be good at your job. Needless to say, Adam Levine, Cee Lo, Blake Shelton and Christina Aguilera are all pretty good at what they do. And now they're all laying their cards out as judges on the new NBC show "The Voice," where they'll coach singers and crown a talented contestant with the ultimate title of The Voice (not to mention a whopping $100,000). The catch here, however, is that, initially, their backs will be turned to contestants, so their votes will be based solely on vocal prowess.

Of course, Christina, Blake, Adam and Cee Lo all look extremely different from one another (what we would give to see Christina and Cee Lo exchange wardrobe, just for a day), but each has one thing in common (aside from being famous): voice. (Get it??) This preview of the motley crue joining forces to cover "Crazy" (which Cee Lo originated with Danger Mouse as half of the pop outfit Gnarls Barkley) is nothing short of... well... weird. It's weird. And yet... we can't stop watching.

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(Credit: Bennett Raglin/Getty Images)

Cee Lo Green is having a moment. It's sure ain't his first, and it likely won't be his last. But it is indeed a moment. Pretty much everyone, from your weird aunt with all the cats to your little nephew who only just started walking, loves this dude and his smash hit song, "F*** You" (even if they sing the more polite version, "Forget You," like Gwyneth Paltrow did on "Glee").

In this exclusive Buzzworthy interview, Cee Lo talks about how "F*** You" came about. It's the product of a nearly yearlong collaboration with songwriters Bruno Mars and Phil Lawrence. Together the trio found that they shared not only similar musical sensibilities but similar senses of humor.

Speaking of senses of humor, Cee Lo got a laugh out of William Shatner's, um, unique cover of the hit song. The two even connected over Twitter and formed a mutual appreciation society with one another.

Cee Lo also talks about his time with the venerated hip-hop group Goodie Mob as well as his partnership with producer Danger Mouse in Gnarls Barkley.

Check out the full Buzzworthy interview with Cee Lo, below. Cee Lo Green's The Lady Killer album is out now.

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I was just thinking to myself, "Why doesn't anyone make those old-school slow dance jams that our parents used to drink milkshakes to or sock hop to or whatever they used to do back in the day?" Enter Gnarls Barkley rapper and MC Cee-Lo and his new-school old-school track "Old Fashioned."

Cee-Lo got us all smirking and snapping our fingers when we first heard the doo-wop-ish, scorned ex-lover anthem "F*** You." But the much-safer-for-work "Old Fashioned," the newly released track off of his highly anticipated album The Lady Killer, due out Nov. 9, showcases a sweeter side of Cee-Lo. "My love old fashioned," he croons, "But it still works/Just the way it is." Awww. I'll go to the dance with you, Cee!

Part soul, part Motown and all heart, "Old Fashioned" is the perfect soundtrack for taking your lady to Lookout Point, giving her your varsity pin and doing other slightly modest black-and-white stuff we saw in the movie Pleasantville. But if you start going steady but things go awry, you might want to stick with that other song.  (Hint: it starts with "F" and ends with "You.")

+ Listen to Cee-Lo's "Old Fashioned."

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(Credit: Frank Micelotta/Getty Images)

With a song as infectious as the insta-anthem, "F*** You," it would be hard for Cee-Lo to screw up the actual video for the track. But as anyone familiar with the Goodie Mob and Gnarls Barkley member knows, Cee-Lo doesn't really do screwups.

The "F*** You" video has the same sense of unabashed joy that the music conveys, despite its vitriolic message. We meet a young, potty-mouthed Cee-Lo in a rather musical diner, complete with backup singers and a mother who disapproves of such language from such a young boy.

We follow Cee-Lo through years, as a short-order cook in high school and a struggling artist, always getting rejected by the object of his affection because of the size of his bank account.

"F*** You" is a delightful video, though really any video with cursing backup singers is a win, and it totally fits the song's cavalier vibe.

Check out the video below. It's quite obviously got really NSFW language. Cee-Lo's The Lady Killer is due out in October.

+ Watch Cee-Lo's "F*** You" video.

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(Credit: Chelsea Lauren/WireImage)

It certainly has been a banner summer for bird-flipping songs, hasn't it? First we had The-Dream's clever, anthemic "Florida University," which saw the R&B maestro take the initials of the "Sunshine State" school and turn it into a kiss-off to an ex.

Now we have Goodie Mob and Gnarls Barkley singer/MC, Cee-Lo, delivering a more direct middle finger to the man who stole his girl. And the screw you goes out to his ex-girl too, for good measure.

Titled "F--- You," the sentiment of Cee-Lo's song might be broken-hearted resentment, but the sound is pure sun-kissed soul. It's a perfect combination of classic Stevie Wonder-style R&B with some modern flourishes. Cee-Lo beautifully sings profane insults, while his back-up singers add exclamation points in the form of more four-letter words, all backed by a joyous piano-led backing track.

It's the perfect kind of summer song; rich with emotion and heartache, but filled with so many memorable melodies you'll be hitting repeat before the song even ends.

+ Listen to Cee-Lo Green's "F--- You." here. (NSFW!)

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So many awesome bands, so little time.

No need to feel totally humiliated because you don't know the difference between The Big Pink and "The Color Purple." If you happen to find yourself at a loss for a knowing retort when your friends start name-dropping bands you've never heard of, DO NOT PANIC. Instead, close your eyes, take a breath and feel free to spitball any of the following insider tidbits on the following "it" bands that give you instant cred. You're so very welcome.

1.) The National: Over the past 10 years, The National has won over hipsters with its Americana-inspired indie-rock and good Samaritans with its pension for political action and philanthropy. Your key talking point: "I was into 'Cherry Tree' way before 'High Violet.' " Watch the video for "Apartment Story" below.

2.) Broken Bells: This supergroup features James Mercer (from The Shins) and Danger Mouse (from Gnarls Barkley). Somewhere, Cee-Lo is pouting in a corner, wearing a dashiki, because he's not in on this innovative indie-pop. Your key talking point: "If 'Garden State' was made today, the song 'The High Road' would totally be on the soundtrack." Watch the video for "The Ghost Inside" below.

3.) Crystal Castles: Not only does singer Alice Glass have the fiercest bowl cut we've seen this side of Joey Lawrence (circa "Gimme A Break!"), but the rest of the band is pretty bitchin', too. These quirky Canadians have successfully created a whole new genre: zombie electro-pop. One listen to "Crimewave" and you'll hear what we mean. Your key talking point: "I have to admit. I was pretty impressed when Toshiba used 'Air War' in that commercial." Watch the video for "Crimewave" below.

+ More videos after the jump.
Read more...

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After the dancing neon graffiti and dance-move instruction of her last video, "Right Hand Hi," Kid Sister returns with a much more natural and realistic clip in this video for her new single, "Daydreaming."

Following in a long line of music videos featuring gals working for the weekend as waitresses (think The Pretenders' "Brass In Pocket"), "Daydreaming" finds the MC/singer working at a coffee shop called the Donut Hole (mmm ... donuts). As she goes about her daily donut-slinging, her daydreams are represented by a little "Sims"-like bubble above her head.

The video depicts a variety of different folks going through the daily grind, while we get to see what's really on their mind. The track, taken from Kid Sis' 2009 album Ultraviolet, is more of a straightforward pop look for the Chicago artist. And it features a nice vocal cameo from Gnarls Barkley/Goodie Mob member, Cee-Lo.

Ultra Violet is out now, Check out the video for "Daydreaming," below.

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Broken Bells is the new collaborative project between James Mercer, mastermind behind The Shins, and Danger Mouse, AKA the guy who made The Grey Album as well as one half of Gnarls Barkley.

Broken Bells' self-titled album, due out in March, promises a tantalizing combination of Mercer's innate feel for pop melody and Danger Mouse's mastery of all varieties of atmospherics and studio trickery.

Directed by Sophie Muller (Beyonce's "Deja Vu," Kings Of Leon's "Use Somebody"), "High Road," is the first video (and single) to come from Broken Bells, and it is anything to go by, the project could be as compelling, visually, as it is sonically.

Whether you think Muller's "High Road" vid is a subtle nod to French New Wave director Jean-Luc Godard's legendary traffic sequence from Weekend (what up, film school!) or just a literal rendering of the song's haunting, imagery-heavy lyrics, it's a humdinger just the same.

In "High Road," Mercer and Danger Mouse walk a not-so lonely road, full of crashed cars, abandoned kids, firemen and a horse (!), much like the experiences of the song's narrator.

Broken Bells' self-titled album is due out March 9th.

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Does Kanye West's "Heartless" emit "cover me!" pheromones? There's Idol winner Kris Allen's acoustic version that, shall we say?, sealed his victory; there's the Lady GaGa live concert cover, along with Ace Hood's "Ruthless" take on the number... The "Heartless" melody and lyrics must strike fellow musicians as somewhat of a non-fit in the dreary, AutoTuned oeuvre that was 808s and Heartbreak, begging for modification. Or else everyone just can't get enough of that effing song.

I'll be the first to say, "Heartless" lends itself to several genres; and The Fray's latest cover -- as an aching, earnest pop-rock ballad -- takes on a solid life of its own. The Fray first covered "Heartless" at Live Lounge,  which begat other fantastic covers, such as Leona Lewis' cover of  Snow Patrol's "Run" (get out the tissues and download that now), but has since released a proper single and music video.

As you might expect, the music video is an extremely bleak and lonely affair: a lovesick schoolboy doodles in his math notebook, and a forsaken, bleeding heart trudges in a defeated journey to nowhere, which instantly recalls Gnarls Barkley's video for "Who's Gonna Save My Soul" as well as Spoon's "Everything Hits At Once" video.

I didn't quite expect this song to work with kids as subjects, but the solitary, cerebral aspect of doodling is somehow painfully sad here - and the video becomes lovely, if a bit disturbing, when doodles morph into elaborate and nightmarish theme-park monsters...

And by the way, Kanye approves. Phew.

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